![]() ![]() Wireless systems comprise just two parts, a transmitter and a receiver. So, what should you look for when choosing a wireless guitar system? A simple two-part system Modern systems sound great, suffer fewer dropouts, are plug ‘n’ play and needn’t be expensive. ![]() Perhaps it’s because wireless guitar systems used to be tone-suckingly unreliable, tricky to set up and very expensive. Hand tools, kettles, vacuum cleaners, telephones, internet connections and so on have been wireless for decades, so why do many of us still play guitar while buried in a nest of cables? We now live in such a wireless world that we tend to take the convenience of our unshackled lives for granted. The U2 will work with active pickups, provided their output voltage is less than 5.6Vp-p. Sunburst colored hair is a thing isn’t it? The onboard rechargeable lithium batteries last for a very healthy session-busting five hours, and it’s available in a variety of funky colors to coordinate with your guitar, T-shirt, tutu, tour bus or hair – black, carbon, silver, gold, redwood, blue, red and sunburst. Latency is very low at 5ms, so your playing can remain fluid, and it’s capable of 24-bit / 48kHz audio, which is pretty outstanding. At least you’ll be in a position to write home about something, as you’ll be able to travel freely around the world with the U2. Its 21m range is nothing to write home about, but it’s typical for a 2.4GHz system. Just plug it in and forget it’s even there as you take off around the stage. Like many of the other systems here, it’s completely plug ‘n’ play. The XVive U2 is a very popular, widely available wireless system, but at around $150/£100 it is nudging the top end of cheap. You should be able to find the correct model for your location but check local requirements before dropping it in your virtual shopping basket. The WMS 40 transmits using UHF frequencies, so AKG makes distinct versions to comply with legislation in different parts of the world. Sure, it’s possible to rig dongle-type transmitters up with mics too, but this is a more elegant solution. It’s also easy to pair the transmitter with a microphone, making this an excellent solution for singer songwriters. Why bother with such a cumbersome set-up? Battery life is an awesome 30 hours, providing a full month’s playing time for those of us who practice for an hour a day. The transmitter, which takes a single AA battery, is compact enough to slip into a pocket or can even be strapped or taped to your guitar. Instead of using a small dongle-like transmitter and similarly shaped receiver, it features a more traditional mains powered base station that communicates with a body-pack transmitter. The WMS 40 isn’t as discreet or portable as some of the systems in this guide, but it does have a place in semi-permanent installations – such as a practice room – or where the 2.4GHz band is too crowded for reliable performance. If you'd rather just get to the products, then keep scrolling. At the end of the guide, we've also included some in-depth buying advice for those who'd like to read more about the best cheap wireless guitar systems, which can be found by clicking the link. To help you choose the best budget system for you, we’ve assembled a list of some of the finest inexpensive wireless guitar systems you can buy. Most are plug ‘n play, so the worst you’ll have to face is selecting different channels for each member of your group. It’s quite literally a release from the shackles that constrain our imagination, our inventiveness, our grand vision! It also makes it easier to reach for that coffee, or walk over to wake up the drummer.īut aren’t they horribly complicated to set-up? Not anymore. It grants you the freedom to express yourself wherever you like, without being tied to a corner of your practice room or the same few, sad, square meters of the stage. Disentangling yourself from your guitar and amp isn’t just about enjoying a more comfortable playing experience, it’s about creativity. ![]()
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